Great Divide: Haruhino-Kurokawa Forest 1

 

This year, Japanese map app YAMAP has rolled out a new product showing basins of rivers, large AND small, in Japan. The accuracy of the info shown there sometimes needs more refinement. (Example: why has Takigo Stream for Yadoriki Water Source Forest been cut into 2 in the middle?) But the creator of the app, Mr. Yoshihiko Haruyama, said the project is in its infancy. They welcome suggestions and new ideas from users with their new service. I found the app is very interesting. It’s often the case forests in our area spread along ridgs of hills and mountains. This means sometimes a forest which is considered as one unit can be divided into one or several areas when its valleys supply rainwater to different rivers. Unexpected borderlines can be found in YAMAP Basin Map. That’s what I found in Haruhino-Kurokawa Forest はるひ野-黒川の森.

We’re going up to the ridge of Haruhino-Kurokawa Forest.

Last month, Haruhino-Kurokawa Forest in Kawasaki City held an autumnal art show, their 9th. My impression from the recent show was not much different from the murmur in my previous post (on December 2, 2022). I’ve been there during its opening days and met several artists who installed their work. In sum, many of them found the wide-open space they could use attractive, and decided participating the project. OK. That’s that. May I mention they might not have thought much about communication with the multilayered ecosystem of the forest? … The artists approach would be similar to the newcomers to Western Nakagawa of Kohoku New Town (; my post on November 24, 2024). That’s unfortunate. The forest clearly shows the existence of people who care about the forest itself and engage in the maintenance works, not-so-flashy-as-art, continuously. Great Divide between two kinds of people, maybe …

Having said that,
this installation by Toshiyuki Tanaka
tries to capture mutual communication with the forest:
 "TANAKA Toshiyuki, Eyes in the woods."

“ISHIZAKI Kouji, Hope”

“TAKEMOTO Suguya, Floating Object in the Valley.”
This installation would be
from the same idea of Tanaka’s installment above.
But I was horrified to see this plastic seats floating
above the abandoned rice paddy.
Reason? Please wait till my next week’s post.

“SATO Hideyuki, Dinosaur Egg.”
Ditto for this fiber-reinforced plastic.

“LYU Dian, Fountain.” Ditto for this.

“TACHIKAWA Mariko, Surrounded by Delicious Sunlight.”

“HARADA Riito, Convey my heart.” This I like.

“MURATA Yuta, Place of Soil.”
His continuous work from the previous show.
I’d like to see how he develops
his way of communicating with the land.

“MACHI Kiiko, No!”
She emphasized she was strongly against all the wars of the planet,
and said NO in a large voice …
but why in this forest, I wonder.

“TSUKASA Kana, Scene.”

“UTSUMI Hitoshi, Secret Base.”
This one is also I like.
He tries to have a fun with the forest as a kid.

“ABE Yasumichi, Loop.”
He’s not the only artist of this show
who presented a sculpture made of stone.
In a sense, it’s a traditional way of humans in the relationship with nature.
What does it mean, I wonder.
Is it the beginning of gigantic stone palace of Versailles
with completely geometrical garden?
I suspend my opinion about this …

I have not yet met people from groups who engage in regular maintenance work for the forest. But according to this page, the area has lively communities, some of which do forestry works for the Forest. Moreover, they’re proud of their dirt-work beyond the desk theory. I had a feeling they are clearly succeeding in it. When I’ve been there last month, it was still a bit early for trees shedding leaves. Yet, the general impression Haruhino-Kurokawa Forest showed was bright with rustling sounds of leaves. The paths inside were well maintained for strollers to enjoy. People are controlling the undergrowth of the forest nicely and treating the damage by oak tree wilt. That’s something. As long as I know, the tenure of the land for Haruhino-Kurokawa Forest is a mixture of governmental, private and corporate entities. The teamwork of volunteers from many corners of Kawasaki and some help from pros hired by the City has done a really good job. Their endeavor in the end created the wide space the artists installed their work. Moreover, the success of such handiworks was scientifically measured in terms of basins.

When we check Yamap Basin Map, the ridgeway of Haruniho-Kurokawa Forest is the watershed between Tama River and Tsurumi River. The streams go down the north slope to the direction to Haruhino Station provides water for Tama River. The water from the south slope including an experimental farm of Meiji University goes to Tsurumi River. From 2015 this water to southward was checked by the group of researchers from Tokyo University of Science. The result was amazing. I tell you this next week. Please stay tuned!

If you find environmental issues in Kanagawa Prefecture, please make a contact with Kanagawa Natural Environment Conservation Center 神奈川県自然環境保全センター

657 Nanasawa, Atsugi City, 243-0121
〒243－0121　厚木市七沢657
Phone: 046-248-0323 

You can send an enquiry to them by clicking the bottom line of their homepage at http://www.pref.kanagawa.jp/div/1644/