1. encounter
ISHIKURO Kazuo
“A tower man born last year here have met another tower man born in Hadano this May. The same work would look different according to the place and the way for them to be shown. This year please be a tower man with both guys.”
KANAI Toshikazu
“For these six years, I’m caring a seedling of Magnolia obovate here. I was concerned with a white oak standing next to the baby Magnolia that would take over the place instead of my tree. This year I cut the oak. In the end managing forest means whatever we do with our egotism. I cleared logs and branches with guilty feelings and resignation. Then, suddenly I noticed suckers were already coming from the stump of fell-down tree. When we clear the forest and let the sunlight come in, izzards visit the place for warming up. New plants will shoot up after the oak. The Boat here may already be Noah’s Ark.”
Below, Kanai-san’s last years installation. Together, they started to form a fleet of Noah’s Ark.
CHIKADA Haruna
“I thought I was looking. I realize I did not look.
I thought I was looking this way. You say you look the same thing in another way.
In the forest, surely it would.”
This year Chikada-san takes another approach to the forest. She has not used BBs. She collected them from the forest floor and quietly fumed survival gamers polluting the forest with tiny plastic garbage. She said this year the feeling is not much since the level of new pollution is subsided. Yet … By the way, here work will be completed when the blue cover over each panel is removed and the trunk is covered by flexible mirror. I think she will finish her work after the typhoon is gone.
4. relationship like this in the cockpit.
ASADA
“Last year, a meandering creature reached the cockpit in the forest and realized it is a member of the starship Earth. It took a rest here in the cockpit. This year another creature arrived the cockpit, and they begin new relationship. It is an eternal cycle of birth, mate, feel, think, and decay. It is the energy to move Earth.
5. Here
YOSHIKAWA Youichiro
“In 2017, I made here a large circle and snakely strolling path by replanting mondo grasses from another places in the forest. A year passes from my previous “gardening”, and all the work are covered by sasa-bamboos and ferns. This year, I’ve again done my “gardening” by mowing the covers to make the mondo grasses reappear. I feel happy as I am digging up my last year’s work painted on earth. This year, I build a mark to point my creation.”
Yoshikawa-san is retrieving last year’s work. He said several large trees, including Cerasus jamasakura, surrounding his “garden” fell and the spread of sasa-bamboos are phenomenal this year. To recover the last year’s design of his “garden” he commuted the forest for days. This year’s wheel is heavier, it seems to me. Please try.
6. Layer 2209 or 2232
KIGA Youko
“Standing here, have you heard wind chimes?
Mother nature let the song come out.
It’s beyond our control.
If you can hear it now, you’re lucky.
Otherwise, that’s that.
Fickle and blind.
7. BOND+ (connecting logs +)
HARADA Akatsuki
“Heartwood of thinned trees from the forest was sturdy. Since 2023, I’m connecting these logs with iron-reinforcing bars. Bars are clamps, aka bonds. I hooked up the heartwoods with bonds and built up a circle structure. The work becomes very robust. This year, I added future form of us on top of the construction.”
This part of the show is created by coordinating members of the Group, local kids, and the people from the nearby institution for people of intellectual disabilities. Many authors here are amateurs and simply enjoy the creation. It was fun to immerse myself in such environment!
They postponed the opening party for September 27, starting 11:00 AM with “Art Tour” guided by the artists. After roughly 1.5 hours of slow walk in the forest, there will be lunch and art discussion with the artists. If you like to share bento-lunch with them, please email
morinokoe7@yahoo.co.jp
to reserve the purchase of bento. English email is OK. The closing is on October 18. There again will be an Art Tour from 11:00. After the bento-lunch (RSVP), they will have a concert by Thomassons + Akaciq in the forest. For both parties, you can bring your own lunch. It is free of charge just for attending the parties. There will be a small “marche” on these party days to raise funds for their activity. In addition, on October 4th from 11:00 they specially arrange an Art Tour for kids and their guardians. This event has a limited seat for 10 kids and it will cost 500 yen per kid (for insurance charge). RSVP.
2026 the Laboratory of Forest Art is held during September 20 – October 18 in the same forest of the previous years. Since there is no parking, a recommended access to the Forest is by bus. The most convenient transportation is a bus ride to Yokohama Zoorasia, from JR Nakayama 中山 Station, Sotetsu Tsurugamine 鶴ヶ峰 Station, or Sotetsu Mitsukyo 三ツ境 Station. Get off the bus at the North Gate of Zoorasia that is the closest to the art exhibition entrance. When you leave the terminal stop of Zoorasia North Gate, go back a bit along the bus road, and on your left is the sign for the GROUP. From there enter the forest. The road is a relatively wide walking promenade. Soon you can see a big banner over there saying “the Creation and Voice of the Woods 創造と森の声.”
When you find a problem in the site introduced in this post, the best contact address will be GROUP the Creation and Voice of the Woods.
https://morilab.amebaownd.com/
e-mail: morinokoe7@yahoo.co.jp
The city office which is in charge of this forest is
Zoo Division
動物園課
Yokohama Municipal Government Green Environment Bureau
横浜市みどり創造局
Phone: 045-671-4124
FAX:045-550-4650
email: mk-satoyama-garden@city.yokohama.jp










